Thousands of CPA firm partner agreements haven’t been updated for 20, 30 years or more. At some firms, this oversight is due to a lack of time. At other firms, the issues neglected are somewhat sensitive so the partners avoid addressing them. At most firms, it’s a little of both. Here are 10 partner agreement areas we see neglected time and time again.
- Partner retirement provisions are hopelessly behind the times or simply ignored. Most prominent by far, are notice of intent to retire and specific client transition procedures for a pre-retirement partner. Other neglected areas include vesting, limits on annual payouts to all partners and mandatory retirement.
- New partner buy-ins are too high. They have come down considerably in the last 20 years. 80-90% of all firms, large and small, now specify buy-ins of $150,000 or less.
- Many agreements still specify that ownership percentage plays a huge role in income allocation, retirement benefits and voting. Today, the impact of ownership percentage is much less than it used to be.
- Agreements fail to restrict partners from drawing compensation that is higher than their income allocation percentage.
- Voting that is driven by ownership percentage disenfranchises new partners, contributing to their feeling of not being a “real” partner.
- Grounds for expulsion are not detailed enough. Most agreements even fail to include a provision for dismissing a partner who is unable or unwilling to perform as a partner. Without this provision, a firm may not be able to dismiss a partner for performance reasons.
- Many agreements have no non-solicitation provisions.
- Many agreements do not specify how to compensate a disabled partner who is not working.
- Some agreements contain an excessive amount of verbiage describing the system used to allocate partner income. The best agreements are almost completely silent on this because firms change their systems so often.
- Few agreements provide for non-equity partners and (non-CPA) principals.There is so much material on each of the above that I could easily do a separate post on each. If you’d like me to expand on any of these issues, please comment below or give me a holler.












The Artist – It’s a Hoax, Folks
Theatrical poster
It seems that a couple of Hollywood types – say a producer and a director – were having their way with a bottle of 24 year-old Bruichladdich one evening. Instead of the inebriated effect that fine Scotch has on its imbibers, it caused these movie moguls to wax whimsical and cynical.
The producer sarcastically asserted that the importance of dialog in movies is totally overblown. As evidence of this, he pointed out the fascination people have with texting, having observed on multiple occasions his daughter and her friends texting each other…while in the same room!
The director said “As preposterous as your point is, we both know the only things that are important in selling a movie today is a frenzied marketing campaign by the movie studio followed by rave reviews by critics desperate to outwit each other by anointing some artsy-fartsy movie as the second coming of Gone With The Wind.”
“That’s brilliant!” the producer blurted out. “We could make a low-budget throwback movie – say, a silent movie – no one has made one since the talkies came out in the late 1920s. The movie will be seen as cool because it’s so countercultural. And the public will play along – they’re so fickle they’ll embrace any new trend.”
“Yes indeed!” countered the director. “We’ll do it in black and white so it has that film noir mystique. We wouldn’t need an expensive screenwriter because any numb-nutz can ‘write’ a script for a silent movie. And we could use unknown actors because if they aren’t speaking, who needs top line stars?”
“Our costs would be practically nothing,” the producer mused, sounding very much like an accountant.
He continued to brainstorm: “It will all be an elaborate hoax on the international movie-going public to prove how easy it is to program humans into believing what one wants them to believe. It’s done every day in politics. Why not movies? Between the two of us, we have enough top drawer movie critics in our back pockets that we can coax them to play along with this farce and write enthusiastic reviews.”
“It’s diabolical,” giggled the director. “Kind of like a Jackson Pollock painting. If a mentally disturbed artist can make millions by throwing containers of paint on a white canvas, think what we can do with a movie.”
“You know, this has been done before,” the producer recalled. “Orson Welles in 1938 terrified millions of gullible radio listeners by creating a fake news broadcast about an invasion from Mars. For a few hours, people were stuck in a kind of virtual world in which fiction was confused for fact.”
“We’ll need a catchy name for the movie,” said the director.
The producer had it ready. “We’ll call it…The Artist.”